Other Places


Web Portal~>

"Awen yn codi o'r cudd, yn cydio'r cwbl"
- Waldo Williams
(Awen arising from hiding, everything binding)



A Leaf in Autumn








Y ddeilen hon, neus cynired gwynt,
Gwae hi o'i thynged!
Hi hen; eleni ganed.


(9th century?)


This leaf, sere as the wind turns it
Its fate is here, its woe:
To be born and die in a year.

STARS






Our local council, along with many others, recently decided on grounds both of cutting costs and lowering its ‘carbon footprint’, to turn off street lighting out of the towns and larger villages after midnight. This came into effect this month. Where I live, on the edge of a village with fields behind the house, we only have a few low-level lights along the lane down to the main road through the village. But the sodium lights along that road  throw up an orange glare into the sky which means that only brighter stars are visible.


{For a discussion of the relative merits of different kinds of street lighting go HERE}


Last night, the sky was open with no cloud. I went outside after the lights had switched off. It was dark except for the starlight. A late moon was rising over the hill behind the house but at just past the last quarter so not particularly bright and was not in the part of the sky I could see. In the north the Plough hung low in the sky like a huge question mark lying on its side and pointing to the Pole Star. Nearby Arcturus gleamed dully red. Directly above, Cassiopeia’s Chair shone a bright silver against the background of the Milky Way streaking the sable sky with white. As the winter stars gather and Orion rises in the south, these clear nights after midnight will be a delight. These are jewels of great value costing nothing except the inconvenience of a dark street when returning home late on a moonless night. A price I will gladly pay for a cosmos of light.

A Way With Words?



"We return here upon an ineluctable problem: that those for whom writing is like 'bearing a part in the conversation' must regard with incomprehension those for whom it is 'blindness' and 'perplexity' and that those for whom 'composition' is a struggle with dark and disputed matter will inevitably dismiss as mere worldliness the ability to push on pragmatically with the matter in hand."

Geoffrey Hill  from  'Our Word is Our Bond'

OCTOBER








Piers, I haue pyped erst so long with payne,
That all mine Oten reedes bene rent and wore:
And my poore Muse hath spent her spared store,
Yet little good hath got, and much lesse gayne.
Such pleasaunce makes the Grashopper so poore,
And ligge so layd, when Winter doth her straine.